Singers: Get Signed! How To Perform Your Way to a Major Label Deal

Singers, once you’ve cut your demo or CD at Nashville Trax and you’re preparing to perform at a showcase for label A & R, do focus on being a brand they’ll see as marketable. A previous post detailed the importance of taking control of the stage with real intent so you won’t lay an egg; : Sister Sparrow and the Dirty Birds

But I do think choreographed dancing can play a big role too. Permit me to demonstrate. Some things you just have to do yourself:

I have a pen, where did those A&R people go?

Happy Holidays everyone!

Many thanks to my assistant and friend, Cynthia, as well as several family members who worked so hard (lol) to help make this video possible.


Writing Christian Worship Music

Two very good books that will help anyone interested in writing Christian songs.

The Craft of Christian Songwriting:

How To Write And Select Songs For Worship:

When I finally got serious about my Christian walk it took a while to figure out that there was a difference between the songs chosen for church service and most of the songs you’d hear on the way to church on Christian radio. Contemporary worship songs are subset of Contemporary Christian music. I think the second book really makes that distinction clear.

Click on the pics if you want more information.


Songwriting Software

The best songwriting software is clearly Master Writer 2.0:

That’s not to say it’s the best songwriting tool, the best songwriting tool is your brain. But Master Writer 2.0 is a close second.

I’m not a fan of rhyming dictionaries. But when I needed a rhyme and wasn’t happy with the 300 rhyme words Master Writer displayed and it popped up nearly 400 more near rhymes? Well, I realized this was an important advance that could change the songwriting game.

It also helps you organize your songs, avoid penning illiterate phrases unless that’s your bag, all sorts of things that are useful.

I’d advise at least clicking the pic above and taking a look at it. It’s pricey but many big time songwriters swear by it and if you want to play with the big boys, it’s wise to use the toys they prefer- b.e.


Song Mastering Service

iZotope Ozone 5 Advanced Mastering Plug-In System

iZotope Ozone 5 Advanced Mastering Plug-In System At Work In Our Studio

We offer crazy low rates on mastering. For a limited time it’s only $75 per song with no minimum number of songs. 3 songs or more? Only $55 per song! Look through your old CDs and files and see if there’s anything you’d like to have done! Have you ever seen a price on mastering under $100 per song? This is full blown mastering well under $100 per song provided the song is under 6 minutes long!

Give us your.wav or MP3 file. We’ll return a .wav or mp3 stereo master file (your choice).

For those who aren’t sure what mastering is it involves taking the mixed track, reloading it into mixing software and adding EQ, effects, compression and more to the entire stereo mix. The end result is cleaner and punchier. The vocals have more clarity and width. There will be more depth to the mix. Basically, after mastering it meets radio airplay standards and it just sounds better!

This will be a fabulous opportunity for you to hear your old (or latest) songs mastered by a fresh set of ears,

If you’re interested in mastering visit the Nashville Trax Mastering Page, or send an e-mail to nashtrax@bellsouth.net with Mastering Deal in the heading. You can ask questions or attach your song file(s) then pay via Pay Pal. .wav mixes sgould be sent via Dropbox.com or WeTransfer.com


Drum Tracks Online : Nashville Trax Recording Studio Session Quality Drums For Your Project Delivered Over The Internet!

David Northrup at Red Rocks

Our studio session player is ready to cut your drum track!

Click here to order your drum track NOW!

Nashville Trax announces the addition of Drum Tracks Online! If you need a drum track in your song, you can now have a Nashville session quality player such as session drummer David Northrup or session player and Montgomery Gentry’s drummer, William Ellis,track it on an excellent quality drum kit, using excellent gear and recorded by an experienced engineer.

Replace a metronome or drum machine with real drums!

Have the Nashville Trax studio drummer lock up to your acoustic guitar or piano track then build your song from there!

Replace your local band drummer with a pro session player!

Drums are the foundation of your recording yet it’s difficult to find a good local drummer capable of playing at session quality. They may be great at playing live, but studio? That’s a completely different situation.

Loosey goosey drum tracks? Use Drum Tracks Online!

Getting YOUR Drum Trax Online is easy!

1, Export your current mix as a .wav or mp3 file (start your bounce at zero). .

want our drummer to start your project, send a rough of your song.

2. E-mail or dropbox it to nashtrax@bellsouth.net

3. E-mail any notes you have or let our session pro decide what to play.

4. Pay via paypal.com to nashtrax@bellsouth.net

THAT’S IT!

You’ll soon receive a d file you can drop in and will automatically line up.

If ou prefer our drums start your project, that can happen as well.

Questions? Pricing? Text 615-319-8616


Songwriting

Three chords is all you need sometimes!

A great song? Three chords is all you need sometimes!

Songwriting is a process that ultimately has no rules. On one level, if you write a song, think it’s good and like it, then it’s “good” and in theory, who can argue?

On the other hand, people often argue about the quality of a specific song. This one is “great”, this one is “not very good” …who appointed them Judge of All Things Musical?

What’s certain is that generating large numbers of CD sales or paid downloads requires a lot of people agreeing a song is good enough for them to spend time and money on.

It’s weird really, any song can have avid supporters or avid detractors, yet there’s a collective mindset that determines which songs experience huge commercial success. And success is difficult to argue with.

So that’s about where commercial songwriting begins to branch off from pure art. “Rules” happen. You begin to run into gatekeepers who believe they know what “everyone likes” in a certain genre. And you better not rhyme heart with start because that’s overused cliche, that song’s going nowhere, buddy.

Unless it becomes a huge hit anyway, then for a lot of reasons that make it the exception to the rule, including the fact it was written in June and there was a moon in June, it’s okay.

Is anyone seriously going to take issue with the thought that a group of co-writers assembling at an appointed time specifically for songwriting purposes where they’ll brainstorm clever song titles and write lyrics about fictitious situations, aiming for a Billboard hit, is pure art?

And this link certainly offers food for thought:

Songwriting

How do you get your mind around that concept? Where does all THAT play out in your life?

The point is if you write songs you can take any of three positions:

1. I write purely for the sake of the art/fun/relaxation aspects. I don’t avoid “songwriting rules” but I don’t embrace them either.

2. I do songwriting for the art and if I accidentally write a hit, great, but no worries one way or the other. “Songwriting Rules” who cares?

3. I want a hit song! Because I want to write a hit, I “follow the rules” as much as they can be determined.

Maybe the Internet has opened things up a bit but it seems “the system” many musicians and songwriters complain about exists for a reason. Most people like a certain category of music or maybe 2-3 categories.

So if 5 million people are looking to listen to country music/purchase country music downloads, radio stations make that group a narrowly focused target. They do that because they must have money from advertisers to survive and advertisers need a targeted demographic to make spending $ pay off.

If you want to write a country hit, you must get your song in heavy rotation on the most powerful of those stations. As you endeavor to do so, the gatekeepers will be making sure you comply with rules.

Hey, life is tough no matter what you do.

That’s songwriting now and for at least the next many years to come.


Steel Guitar Tracks Online

Our pedal steel guitar man, Mike Douchette

Our pedal steel guitar man, Mr. Mike, credits: George Jones, Billy Gibbons (ZZ Top), Bonnie Raitt, Conway Twitty,

Looking for steel guitar tracks online? If you need a track of pedal steel for your home or studio recording project look no further! Nashville Trax now offers world class steel guitar tracks played by a session quality Nashville professional steel player!

Reasonably priced and even cheaper if you act now:

Steel Guitar Tracks Online

Check out Mike’s Pedal Steel solo at 5:18 into this video as Billy Gibbons, Peter Frampton and Randy Bachmann look on.


Fiddle Tracks Online!

Fiddle Tracks Online Fast and Priced Right!

Fiddle Tracks OnlineFast and Priced Right!

Need a fiddle track to top off your project?

Call or text 615-319-8616

Fiddle Trax Online has been added to the Nashville Trax list of services! If you need a fiddle part for a song project you’re recording at home, you can have one of Nashville’s top session quality fiddle players track just the part you need.

Why choose a semi-pro when you can have a true pro on your tune? One of the most respected session musicians in Nashville she’s played on records for everyone from Taylor Swift to George Jones to Uncle Kracker!

There are plenty of fantastic live-band players, but session quality, major label level, fiddle players? It’s a rare gift and only a handful of players on the planet qualify. It makes zero sense to pay the fiddle player down the street or the fiddle player from the hot local band to lay a track. You’ll likely end up dropping it out of the mix due to it being pitchy; containing inappropriate licks over the vocal; or having poor, thin, tone quality.

Pay not much more, if any, and get a player Nashville producers choose to lay fiddle tracks on hit recordings!

Call or text 615-319-8616. Or e-mail nashtrax@bellsouth.net


Want Great Translation In Your Mix? Event ASP8 Studio Monitors Get It Done!

The main Nashville Trax speakers are a pair of Event ASP8 Studio Precision Bi-Amp Direct Field Monitors. Retailing at $750 each, they’re designed to accurately hear every nuance in the entire frequency spectrum:

Event ASP8 Studio Monitors

Event ASP8 Studio Monitors

Notice the reflections on the face? The fronts are polished like mirrors.

Event ASP8 Studio Monitors. You could shave in this!

Event ASP8 Studio Monitor. You could shave with this!

More than one seasoned session player has remarked while listening down to several parts just tracked, “This is the only studio I record in where I can hear everything!”

We also have a set of JBL’s with a switch to toggle between the Events and the home stereo quality JBLs.

This assures that you mix will sound as great at home, as great on your computer speakers, as great in your car stereo, as it does at the studio.


Want Great Guitar Sounds On Your Song Recording? We Can GUARANTEE it!

If you want great guitar tone on a recording you start with a great player, add a great guitar, a great amplifier, a microphone suited to the purpose and a quality preamp. That pretty much sums it up.

BUT…there are times we get to a mix, have added some overdubbed instruments and maybe the guitar tone used in tracking isn’t working out as well as we thought it would.

I hate it when that happens.

But not to worry, we have a variety of fixes here at Nashville Trax but this Waves Guitar Tool Kit is software based amplifier modeling technology and the designer/overseer/grandpoobah, Paul Reed Smith, a famous guitar maker dude, pretty much got it right. It sounds better for most applications, than the stand alone unit J-Station, or Line 6 modeling, both of which we also have here.

You can use it on already recorded guitar or play a new guitar track straight into it.

These are best-we-could-do screenshots done in our studio, apologies, maybe that’s why we’re musicians, no photographers, lol.

I love the stompbox window! You simply click to add a wide variety of pedals to any of the 6 smaller windows:

Waves Guitar Tool Kit : The Stompbox Window

Waves Guitar Tool Kit : The Stompbox Window

In this window you can choose the simulated amp you wish to hear, say a Fender Twin or whatever, then tweak it to your song’s content:

Waves Guitar Tool Kit : The Amp Window

Waves Guitar Tool Kit : The Amp Window

Or you can move to the presets window to choose a stompbox chain and amp already set to sound like the guitar tone popularized by various bands and hit songs:

Waves Guitar Tool Kit : Presets Window Waves Guitar Tool Kit : Presets Window[/caption]

Waves Guitar Tool Kit : The Tuner Window

Waves Guitar Tool Kit : The Tuner Window

.

Cool or what? b.e.


Session Alert!

Play It Again Demos performing band silhouette

Three special recording/mixing session dates are coming up Nov. 26th, 2013 plus Dec. 3rd and Dec. 4th featuring some musicians who are regular members of Billboard charting country artist’s bands. Tracking and overdubs are on tap the first two days, mixing the last.

Jenee Fleenor, the backup singer and fiddle player who plays for hit recording artist Blake Shelton has confirmed. Blake Shelton’s Mine Would Be You is currently the #2 song on the Country Billboard charts.

Jenee also plays regularly for Martina McBride.

William Ellis, drummer for Montgomery Gentry will also be on board. We’ll also be recording bass guitar and guitar.

If you’d like to get a song or two in on this event, or even attend the session to watch your song get tracked and meet the musicians, simply e-mail nashtrax@bellsouth.net and let us know how many songs you want to include. We’ll promptly reply with the cost. 25% down will secure your slot but all remaining fees must be paid in full, in cash, by first downbeat. There’s room, we’ll work all night if necessary.

Update 11-26-13. 6:00 p.m. We tracked multiple songs today starting at 10 a.m. after which every part was backed up to additional hard drives (we do 1 backup as we record). Long day but the tracks sound great so far, we’re looking forward to the next session!

https://twitter.com/BritttStip/status/401504526558969856

https://twitter.com/amanda7593/status/401413632929443840


Now Tracking : Two Demos For A Client In England

Two songs in today from “across the pond.”

Both are by a working musician from England named Charlie Kelland. “Santa Fe” is an uptempo country tune that’s getting the full band demo treatment. The original rough sounds like a song playing in a 1960’s western movie so it needs updated. “Forever”is a piano/vocal/hand drum demo featuring a lot of soulful background vocals.

We just logged them in this morning so it will be a little while but I’ll post a finished demo of SF if Charlie allows.

Update 12-12-13 Here’s Santa Fe produced in a modern country style with both fiddle and lead vocal by Jenee Fleenor who plays for country recording artist Blake Shelton:

Santa Fe © 2013 Charles Kelland is posted by permission. All rights Reserved. Unauthorized use is a violation of U.S. and International copyright law.

Pro demos make everyone- friends, family, artists, record company A & R and music publishers- take notice. Have 3 or 4 pro demos to peddle and they’ll brand you as a pro-level songwriter every time you pitch them.

We would be thrilled to do that for you, simply drop an e-mail with your rough mp3 or mp4 attached to: nashtrax@bellsouth.net with the details of what you want and request a quote.