Australian Issy Burnup Finds Her Sound At Nashville Trax, Bill Watson Producing

Posted: April 30, 2016 | Author: | Filed under: Uncategorized | Leave a comment

Hailing from Australia, pics of  highly talented singer/songwriter Issy Burnup’s recording session yesterday.

Producer Bill Watson, pictured below holding the gifts the Burnup family brought  from “the land down under” (Vegemite and a bag made from a kangaroo’s scrotum) says, “We did more than simply cut tracks, I believe we gave Issy a sound that will help her discover her direction as an artist.”

Singer/songwriter Issy Burnup, 2nd from left at Nashville Trax Recording Studio.

Left: Issy, Bottom Right: Issy’s mother Jennifer, Issy, producer and bass player Bill Watson, Issy’s father Clive. Above right: engineer Shawn Conley, Bill Watson, Steve King keyboards, and father Clive. Playing on the session but not pictured: drummer David Northrup and guitarist Tom Wild.

Awesome session!

Publicity photos of Issy:

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Issy Burnup

The Jailbirds from Germany in to record yesterday!

Posted: April 26, 2016 | Author: | Filed under: Client News, Now Tracking, Studio Services, Uncategorized | Tags: , | Leave a comment

Father and son duo, The Jailbirds, flew in from Germany to record 5 songs yesterday for their upcoming album.

Dirk played guitars, bass and percussion while his father, Walther, sang and occasionally added rhythm guitar. Great guys, good players, Walther sings great and somewhat surprisingly, they speak English very well.

What a fun session!. Tracking is complete, the project is ready to mix.

Other upcoming recording sessions with clients coming from overseas include clients from New Zealand (May 1st) and Australia (June 8th).

 

Dirk and his father, Walther
Dirk, one half of The father and son duo, the Jailbirds, tracking guitar

 

Hi Bill,

  Feel free to post the mixes on the website.  They really sound great, thanks again to both Shawn and you.

  Best regards from Berlin,

  Walther & Dirk

Looking to record a project in the Nashville, TN area? We can book your session, hire any needed Nashville based session musicians, help you arrange hotel accommodations, choose the proper facilities for recording, mixing and mastering each aspect of your project and more. Contact us at e-mail: nashtrax@bellsouth.net

Mandolin Player for Hire Online For Your Recording

Posted: April 21, 2016 | Author: | Filed under: Studio Services, Tracks Online | Tags: | Leave a comment

Nashville session quality mandolin for hire on .wav file tracks that automatically lock right up to your recording!

Work can be performed in Nashville and delivered over the Internet, no need to be present.

Reasonable rates

Pro engineering

CMA Musician of the Year level Player for jaw dropping quality

Click the link for samples and pricing:

Mandolin for Hire

JeneeMandoCrop

Eesean Bolden Seeking Pop and Hip Hop Songs

Posted: April 13, 2016 | Author: | Filed under: Song Pitch Opportunity, Uncategorized | Tags: , , , | Leave a comment

Eesean Bolden , Vice President of A&R at Epic Records, which is part of Sony Music Entertainment is seeking Pop and Hip Hop songs for acts on the Epic roster that have not been released for sale.
Instrumentals or complete songs; rough mixes up to fully mixed and mastered broadcast ready.

Compensation is negotiable.

Ongoing, no deadline.
A partial list of current Epic Artists: Meghan Trainor; Jennifer Lopez; Travis Scott; Jidenna; Wrabel; Future.

  • Professionally made demos  and masters of unpublished songs may be submitted (with permission) to Listen Again Music (BMI) or PlayItAgainMusicPublishing (ASCAP).
  • E-mail your request for permission to submit to: LAMusicPublishing.1@gmail.com
  • MP3 only, songs must be unpublished. Lyrics submitted in body of e-mail, no attachments except the MP3. Songwriter and/or co-writers must control copyright 100%.

If your song is accepted you will be asked to sign a single song publishing agreement. There is no charge to the songwriter, the publisher will acquire the publisher’s share of the song and the songwriter retains 100% of the writer’s share.