Songwriting

Three chords is all you need sometimes!

A great song? Three chords is all you need sometimes!

Songwriting is a process that ultimately has no rules. On one level, if you write a song, think it’s good and like it, then it’s “good” and in theory, who can argue?

On the other hand, people often argue about the quality of a specific song. This one is “great”, this one is “not very good” …who appointed them Judge of All Things Musical?

What’s certain is that generating large numbers of CD sales or paid downloads requires a lot of people agreeing a song is good enough for them to spend time and money on.

It’s weird really, any song can have avid supporters or avid detractors, yet there’s a collective mindset that determines which songs experience huge commercial success. And success is difficult to argue with.

So that’s about where commercial songwriting begins to branch off from pure art. “Rules” happen. You begin to run into gatekeepers who believe they know what “everyone likes” in a certain genre. And you better not rhyme heart with start because that’s overused cliche, that song’s going nowhere, buddy.

Unless it becomes a huge hit anyway, then for a lot of reasons that make it the exception to the rule, including the fact it was written in June and there was a moon in June, it’s okay.

Is anyone seriously going to take issue with the thought that a group of co-writers assembling at an appointed time specifically for songwriting purposes where they’ll brainstorm clever song titles and write lyrics about fictitious situations, aiming for a Billboard hit, is pure art?

And this link certainly offers food for thought:

Songwriting

How do you get your mind around that concept? Where does all THAT play out in your life?

The point is if you write songs you can take any of three positions:

1. I write purely for the sake of the art/fun/relaxation aspects. I don’t avoid “songwriting rules” but I don’t embrace them either.

2. I do songwriting for the art and if I accidentally write a hit, great, but no worries one way or the other. “Songwriting Rules” who cares?

3. I want a hit song! Because I want to write a hit, I “follow the rules” as much as they can be determined.

Maybe the Internet has opened things up a bit but it seems “the system” many musicians and songwriters complain about exists for a reason. Most people like a certain category of music or maybe 2-3 categories.

So if 5 million people are looking to listen to country music/purchase country music downloads, radio stations make that group a narrowly focused target. They do that because they must have money from advertisers to survive and advertisers need a targeted demographic to make spending $ pay off.

If you want to write a country hit, you must get your song in heavy rotation on the most powerful of those stations. As you endeavor to do so, the gatekeepers will be making sure you comply with rules.

Hey, life is tough no matter what you do.

That’s songwriting now and for at least the next many years to come.


Steel Guitar Tracks Online

Our pedal steel guitar man, Mike Douchette

Our pedal steel guitar man, Mr. Mike, credits: George Jones, Billy Gibbons (ZZ Top), Bonnie Raitt, Conway Twitty,

Looking for steel guitar tracks online? If you need a track of pedal steel for your home or studio recording project look no further! Nashville Trax now offers world class steel guitar tracks played by a session quality Nashville professional steel player!

Reasonably priced and even cheaper if you act now:

Steel Guitar Tracks Online

Check out Mike’s Pedal Steel solo at 5:18 into this video as Billy Gibbons, Peter Frampton and Randy Bachmann look on.


Fiddle Tracks Online!

Fiddle Tracks Online Fast and Priced Right!

Fiddle Tracks OnlineFast and Priced Right!

Need a fiddle track to top off your project?

Call or text 615-319-8616

Fiddle Trax Online has been added to the Nashville Trax list of services! If you need a fiddle part for a song project you’re recording at home, you can have one of Nashville’s top session quality fiddle players track just the part you need.

Why choose a semi-pro when you can have a true pro on your tune? One of the most respected session musicians in Nashville she’s played on records for everyone from Taylor Swift to George Jones to Uncle Kracker!

There are plenty of fantastic live-band players, but session quality, major label level, fiddle players? It’s a rare gift and only a handful of players on the planet qualify. It makes zero sense to pay the fiddle player down the street or the fiddle player from the hot local band to lay a track. You’ll likely end up dropping it out of the mix due to it being pitchy; containing inappropriate licks over the vocal; or having poor, thin, tone quality.

Pay not much more, if any, and get a player Nashville producers choose to lay fiddle tracks on hit recordings!

Call or text 615-319-8616. Or e-mail nashtrax@bellsouth.net


Want Great Translation In Your Mix? Event ASP8 Studio Monitors Get It Done!

The main Nashville Trax speakers are a pair of Event ASP8 Studio Precision Bi-Amp Direct Field Monitors. Retailing at $750 each, they’re designed to accurately hear every nuance in the entire frequency spectrum:

Event ASP8 Studio Monitors

Event ASP8 Studio Monitors

Notice the reflections on the face? The fronts are polished like mirrors.

Event ASP8 Studio Monitors. You could shave in this!

Event ASP8 Studio Monitor. You could shave with this!

More than one seasoned session player has remarked while listening down to several parts just tracked, “This is the only studio I record in where I can hear everything!”

We also have a set of JBL’s with a switch to toggle between the Events and the home stereo quality JBLs.

This assures that you mix will sound as great at home, as great on your computer speakers, as great in your car stereo, as it does at the studio.


Want Great Guitar Sounds On Your Song Recording? We Can GUARANTEE it!

If you want great guitar tone on a recording you start with a great player, add a great guitar, a great amplifier, a microphone suited to the purpose and a quality preamp. That pretty much sums it up.

BUT…there are times we get to a mix, have added some overdubbed instruments and maybe the guitar tone used in tracking isn’t working out as well as we thought it would.

I hate it when that happens.

But not to worry, we have a variety of fixes here at Nashville Trax but this Waves Guitar Tool Kit is software based amplifier modeling technology and the designer/overseer/grandpoobah, Paul Reed Smith, a famous guitar maker dude, pretty much got it right. It sounds better for most applications, than the stand alone unit J-Station, or Line 6 modeling, both of which we also have here.

You can use it on already recorded guitar or play a new guitar track straight into it.

These are best-we-could-do screenshots done in our studio, apologies, maybe that’s why we’re musicians, no photographers, lol.

I love the stompbox window! You simply click to add a wide variety of pedals to any of the 6 smaller windows:

Waves Guitar Tool Kit : The Stompbox Window

Waves Guitar Tool Kit : The Stompbox Window

In this window you can choose the simulated amp you wish to hear, say a Fender Twin or whatever, then tweak it to your song’s content:

Waves Guitar Tool Kit : The Amp Window

Waves Guitar Tool Kit : The Amp Window

Or you can move to the presets window to choose a stompbox chain and amp already set to sound like the guitar tone popularized by various bands and hit songs:

Waves Guitar Tool Kit : Presets Window Waves Guitar Tool Kit : Presets Window[/caption]

Waves Guitar Tool Kit : The Tuner Window

Waves Guitar Tool Kit : The Tuner Window

.

Cool or what? b.e.


Session Alert!

Play It Again Demos performing band silhouette

Three special recording/mixing session dates are coming up Nov. 26th, 2013 plus Dec. 3rd and Dec. 4th featuring some musicians who are regular members of Billboard charting country artist’s bands. Tracking and overdubs are on tap the first two days, mixing the last.

Jenee Fleenor, the backup singer and fiddle player who plays for hit recording artist Blake Shelton has confirmed. Blake Shelton’s Mine Would Be You is currently the #2 song on the Country Billboard charts.

Jenee also plays regularly for Martina McBride.

William Ellis, drummer for Montgomery Gentry will also be on board. We’ll also be recording bass guitar and guitar.

If you’d like to get a song or two in on this event, or even attend the session to watch your song get tracked and meet the musicians, simply e-mail nashtrax@bellsouth.net and let us know how many songs you want to include. We’ll promptly reply with the cost. 25% down will secure your slot but all remaining fees must be paid in full, in cash, by first downbeat. There’s room, we’ll work all night if necessary.

Update 11-26-13. 6:00 p.m. We tracked multiple songs today starting at 10 a.m. after which every part was backed up to additional hard drives (we do 1 backup as we record). Long day but the tracks sound great so far, we’re looking forward to the next session!

https://twitter.com/BritttStip/status/401504526558969856

https://twitter.com/amanda7593/status/401413632929443840


Now Tracking : Two Demos For A Client In England

Two songs in today from “across the pond.”

Both are by a working musician from England named Charlie Kelland. “Santa Fe” is an uptempo country tune that’s getting the full band demo treatment. The original rough sounds like a song playing in a 1960’s western movie so it needs updated. “Forever”is a piano/vocal/hand drum demo featuring a lot of soulful background vocals.

We just logged them in this morning so it will be a little while but I’ll post a finished demo of SF if Charlie allows.

Update 12-12-13 Here’s Santa Fe produced in a modern country style with both fiddle and lead vocal by Jenee Fleenor who plays for country recording artist Blake Shelton:

Santa Fe © 2013 Charles Kelland is posted by permission. All rights Reserved. Unauthorized use is a violation of U.S. and International copyright law.

Pro demos make everyone- friends, family, artists, record company A & R and music publishers- take notice. Have 3 or 4 pro demos to peddle and they’ll brand you as a pro-level songwriter every time you pitch them.

We would be thrilled to do that for you, simply drop an e-mail with your rough mp3 or mp4 attached to: nashtrax@bellsouth.net with the details of what you want and request a quote.


Casting Now : Reality Show For Aspiring Male Country Artists Age 14 to 20

Hit The Country Music Jackpot!

Hit The Country Music Jackpot!

Jan Smith, vocal coach for The Band Perry’s Kimberly Perry, Usher, and Justin Bieber is part of a new reality TV show focused on discovering the next generation of country music talent.

If interested, upload your video to YouTube then e-mail the link to castingcall.bei@gmail.com

Please include your city of residence, age and all contact information.

https://twitter.com/gromsparadise/status/378240362109616128

https://twitter.com/FlyingTortilla/status/377973193249546240


Our New Plug Ins Will Take Your Recording To The Next Level!

Nashville Trax Mixing Board Shot

Nashville Trax Mixing Board Shot

To say I’m excited about this new batch of plugins we’ve acquired for the Nashville recording studio, Nashville Trax, over this past this month is an understatement. Over $100,000 worth of software recording and mixing madness!

This Solid State Logic plug is $300 retail but well worth every penny; it sounds just like a channel pulled from an SSL 4000 E Series console. There is no way anyone, including a seasoned Nashville studio engineer, could tell the difference in a blind A-B comparison. The richness is there, the clarity, the punch…love it! It’s an awesome addition to our studio that will bring quality up several notches:

SSL 4000 E Series Channel Strip plug-in

SSL 4000 E Series Channel Strip plug-in

And here’s a cropped pic of our new Waves Vocal Rider plugin:

Waves Vocal Rider

Waves Vocal Rider

Man, does this take a load off. Until now I didn’t make it a practice to ride the vocal fader manually on demos, it was too tedious and the budget isn’t there for that degree of manual labor on a demo mix. Only master mixes with inherently higher budgets received that level of attention to detail.

This SSL vocal fader plug will change that. Less than 60 seconds of setting levels and it rides a vocal automatically, pre-reading the vocal signal, comparing it to the mix level, then adjusting the vocal setting in real time to compensate for the music/vocal variations and keep the vocal in your face at all times. Awesome! Awesome, AWESOME! Why NOT start using it on demos too?

But guess what? We purchased the version for bass guitar too!

Here’s a studio screen shot of our Bass Rider in action on a mix:

Pro Tools HD2 Bass Rider Software

Pro Tools HD2 Bass Rider Software

And Max Bass? Got it! In the Max Bass window, the green area on the left is the original bass signal, the green line slanting left shows where the frequency of the original signal cuts off and the brown area to the right shows the frequencies generated by Max Bass, psycho-acoustically creating a huge bass sound that seems to eminate from everywhere, rather than from the fixed point of the stereo speakers.

Max Bass for Pro Tools HD

Studio Shot of Max Bass for Pro Tools HD

Combine the Max bass, Waves Bass Rider and Vocal Rider and you have the foundation of one fantastic mix!- b.e.


The Freemans : Voice In The Desert CD

Freemans Voice In The Desert CD

Freemans Voice In The Desert CD

The Freemans are just one of the big name Southern Gospel groups that call Hendersonville, TN home base, H-ville is about a 15 minute drive north of Nashville. The Oak Ridge Boys, The Isaacs and others do the same, as well as several top nationally known bluegrass groups. I’m not sure why there’s such a concentration in such a small area, obviously the proximity to Nashville plays a part but there are probably historical and family connections as well.

I met Darryl Freeman and his son, Caylon, the drummer in the band, for the first time about 8 weeks ago. They gave me a free copy of their newly released Voice In The Desert CD which I’ve since listened to several times and found to be super.

Reading the liner notes I noticed they didn’t write their own music on the CD so that might be a pitch opportunity for you if you have something that’s dead on target for their next project. I highly recommend you purchase their VITD album and listen thoroughly beforehand, just because you wrote a song that mentions Jesus it doesn’t mean it will fit their style- b.e.


Study Claims Increased Ability To Hear Pitch In Adults On Valproate

Fiddle Tracks Online Fast and Priced Right!

Fiddle Tracks Online: Click through and listen to musicians play with perfect pitch!

Adults can learn to play an instrument, but many previous studies have demonstrated that certain synapses in the brain close by age twelve and eliminate the possibility of developing into a world class musician.

It is also been an accepted fact that while the ability to hear relative pitch may be improved with practice in some adults, if the ability to hear absolute pitch hasn’t been acquired by age three or four up to, at the latest, age nine, it’s no longer possible. Here’s just one of many examples of why this matters: a fiddle doesn’t have frets so a player with the ability to hear absolute pitch has a huge advantage.

Now comes research, The Valproate Study On Pitch claiming taking Valproate can permit an adult to greatly improve their ability to recognize absolute pitch:

So is this a great breakthrough or will we soon hear the usual: “Want perfect pitch? Take Valproate, but by the way “side effects include hair loss, incontinance, increased risk of cancer, five weeks after starting treatment you may grow an extra head…..”


Verse Chorus Form

Acoustic Guitar Sound Hole and Strings

Acoustic Guitar Sound Hole and Strings

The Verse Chorus Form has been part of songwriting since the 1800’s and it’s more popular now than ever.

A good example of this form at work in today’s music is Holy Spirit by Jesus Culture: http://www.youtube.com/watch?v=OBifjXFA-W4

As you see the verses usually have the same number of lines, the lines are of the same length, while the words are dissimilar to each other. Each verse moves the song forward with new information.

But the chorus that appears after each verse or two typically is an exact repeat of the original chorus. In this case at 1:21 the first chorus begins with “Holy Spirit You Are Welcome Here…” and continues on for a total of four lines. After a brief musical Interlude the verse comes in at 2:00 with “I’ve tasted and seen…”

So the form of a simple verse chorus song is:

Verse, Chorus, Verse, Chorus, Verse, Chorus

To make it more interesting you can double up some sections: Verse, Verse, Chorus, Verse, Chorus, Verse, Chorus, Chorus

The chorus is the high point both musically and lyrically. It sums up the point and calls attention to itself. It should be distinct from the verse and that can be achieved by altering the note length.

A Bridge section that’s dissimilar to both chorus and verse can also be used.

Verse, Chorus, Verse, Chorus, Bridge, Verse, Chorus