How to Earn Income from your Songs on YouTube!

Gary Nowak operates a business on YouTube using our productions of his original songs. His latest A Miracle At Work is just getting started.

The first, titled Gasoline featuring actor Christopher Rigali is closing in on a half million views! Chris is an awesome actor and has superb lip syncing skills. It really looks like he sang it!

YouTube compensates songwriters several ways and you don’t have to be on a major label, any independent songwriter can create a song video and post their song on You Tube.

1) Independent songwriters are paid for advertising revenue clicks on their video post.

2) Your music is made available for licensing to professional and consumer content uploaders. You get paid each time your music is played as featured or background music in someone else’s video.

3) You get royalties for original song material video plays.

Besides continually pitching the majority of our catalog (of client song demos and masters) to our major label and top independent label contacts, if you’re not computer savvy, we can create a video of your song for you, then post it on YouTube.

We can also place your songs on Amazon.com through Amazon.com’s Advantage program; on CD Baby and their associated AllMedia and MicroSync programs, on TuneCore etc. to make your music available not only on YouTube, but also through licensing channels for TV, film, video games, and more.

We can place your single demo on Kickstarter and request funding for a master recording or a full blown CD, video and promotion.

Of course there are more traditional ways to profit. Your songs could be picked up by a producer looking for songs for an artist, they could be featured in an indie film or placed on a network TV show.

Like the idea of making a pro version of your tune and posting on You Tube to see if you can pull in some bucks? Want us to produce a song for you? Send your rough MP3 to nashtrax@bellsouth.net and request a quote today!


Now Tracking : Wrangler Man on 1-8-14 Session! Your song too?

Jenee of Nashville Trax

Jenee of Nashville Trax

If you have a song you’d like to get demoed trio or full band style, fast and at a discount, shoot us an mp3 at nashtrax@bellsouth.net tthen pay via Pay Pal to the same address, less a full 15% off! This offer is good only through January 6th at midnight (we need time to chart it, make suggestions and revise for any approved changes). Limit 4 songs total so we may need to close doors on this if we get too many.

Your song will be on the 1-8-14 rhythm tracking session that includes Steve Peterson’s Wrangler Man which is going to be tracked as a walking bass country song. One other song, Fractured Fairytale, is scheduled so far and we have room for2 more songs in this 10 a.m. to 2 p.m. session.

This is your chance to have Montgomery Gentry’s drummer, William Ellis, play on your tune through world class equipment with pro pre-production, producing and mixing!

If you need fiddle, mandolin, female vocals or awesome stacked backup vocals on your tune, Blake Shelton’s fiddle player, Jenee Fleenor, will be doing overdubs on various songs in a 2:00 p.m.- 6:00 p.m. same day!

Visit Nashville Trax for more information on the session players available.

Update: One song, titled “Johnny” has been added, 1 slot left, If you want it, let us know!

Update: Full! Sorry, maybe next session.


How Much Does It Cost to Record a Demo?

performing band silhouette

If you’re wondering “How much does it cost to record a demo?” the answer is, it depends on the quality of the two major elements: the recording studio costs and the talent. Like most things, you get what you pay for.

In this article we’ll cover typical studio rates, session musician fees, give a few cautions to prevent you from wasting your hard earned money, then put a mock quote together, typical of a quote we’d give here at Nashville Trax.

You are probably also interested in opportunities to  pitch or market your song after your demo is made. Here is a free list of major label and independent label song pitch opportunities.

Why is quality in every aspect of the demo making process your best bet?

A cheap pair of shoes from Dollar Bargain may not be as stylish, may not ne as comfortable or last as long as a pair from a high dollar shoe store, but they’ll basically do their job. Unfortunately, unless your demo is for “family and friends only” a cheap demo almost surely won’t. Your shoes aren’t looking to “take first place” in a lineup of competing shoes. Your shoes aren’t going to be scrutinized by a gauntlet of professionals before you can “win the big prize” (a publishing contract, an artist deal with a record company or a major label recording).

If your goal is simply to have a demo made for your family or friends then B list musicians or a one man band style demo using a drum program instead of a session drummer may be good enough.

Aiming for that big prize? That publishing deal? The major label contract? Wear cheap shoes, spend the extra bucks on your demo, it’s a better investment.

These days most A&R people are straight-from-college, wet-behind-the-ears newbie interns with little experience and little ability to hear a gem in the rough, you must spell it out for them. If it doesn’t sound pretty close to a radio hit and/or doesn’t sound as good as the song from a hit songwriter with an unlimited demo budget they just screened two minutes ago, they will delete your mp3 or toss your demo CD in the trash before it even hits the first chorus.

If you’re in this songwriting business to play games, to toy with it, by all means, do a three or four hundred dollar full band demo and kid yourself you have a shot. If you’re serious about getting your songs cut, do it right: Make the investment needed to be in the game for real, $300 doesn’t even cover the fees a full band of session quality players charge. No matter what the studio claims, you are not getting quality for that price. In the long run it’s not that much extra to get session quality on a demo you’ll be proud to play in any professional-scrutiny-situation the rest of your life.

The costs discussed here reflect what professionals in the music industry who do stellar work charge, not semi-pros or hacks who do “passable work” or “pretty good work”. Pretty good doesn’t win you that one open slot on a recording project. Stellar might.

So let’s crunch numbers:  the “talent” portion in the talent/studio equation mentioned above includes the singers, musicians, arranger, engineer and producer. Typically the costs about to be discussed are part of a turnkey package quote as in, “We’ll demo your song for $1.150” or whatever price the demo service arrives at.

Price alone isn’t the only test of a quality service. There is more than one active demo service a.k.a “recording studio” here in Nashville, including one of the biggest on Music Row, that subs out every full band project. They charge between $400 to $1,000, then hand your song off to one of their subcontracted studios for about 50% of what you pay. They pocket the other half for fifteen minutes of simply forwarding your rough materials to a subcontracted studio, getting the completed project back and giving you back the finished mix.

How does a sub do a demo for $250 or $500 when even the full $500 would not be enough to hire pro session players, a pro vocalist and do a quality, multiple hour mix, let alone cover the studio costs, engineering fees, etc.?

They cut every corner possible. They write quickie charts then hire sub-par C list musicians, one or two singers and run 20 songs at a time, assembly line fashion. Instead of spending approx. eight to ten hours on your song, the time required to do quality, each song may receive a grand total of forty=five minutes to two hours of attention, next!

It’s called sharking and that particular Music Row studio’s name on a project is a red flag to industry pros. It’s cheaper yes, but is that really what you want? A ripoff product and the scarlet letter of shame?

So how much does a legit demo studio cost?

First, caution number two, when choosing a studio, get what you need, but not more.

Most good demo studios charge in the $70 to $150 per hour range. Don’t go below $70 per hour on the studio time portion because then you’re scraping bottom barrel so the equipment probably isn’t very modern or very high quality, there will almost surely be issues (dirty pots, noisy analog cords and connections, gear that doesn’t work properly, etc.) and those issues will almost surely show up in the music itself. Above $150 per hour and you’re likely getting into master session audio/video studios that are charging for equipment and recording spaces you probably don’t need to create a good demo.

Musicians and engineers vary in quality too. The timing and chart reading experience required to be a successful session player is far above that needed to play a live gig. The timing part can’t be emphasized enough. Use live players who aren’t seasoned studio vets and the music piece almost surely won’t lock together the way music played by seasoned session quality players does. Impeccable timing is a rare talent that session players seem to be born with.

And some engineers have “great ears” some don’t.

To better understand why it’s important to get “session quality musicians” you should know: the majority of musicians who come to Nashville intending to break into the session scene, the “best of the best” back where they come from, mistakenly think they’ll easily compete with a bunch of “country three-chord-playin’ bumpkins” but have no idea what they’re getting into.

Instead of “easy pickin’s” they typically have their behind handed to them on a platter. The majority fail miserably at session work attempts and end up either focusing strictly on live work which is less demanding musically and less competitive here, or return to where they came from, broke, embarrassed and broken.

You want the players who work sessions daily.

Experienced session quality musicians cost per song

For a demo session, musicians typically charge the studio (with no markup on the studio end) are about $50 to $125 per instrument per song, occasionally higher in certain situations. Guitar, for example, usually requires multiple tracks (lead, rhythm, acoustic, etc.) so guitarists usually make more per song. Ditto keyboards, live strings and a few other instruments.

Rates are generally higher if you are doing only one song. Multiple songs can sometimes knock the per song price down a bit. At our studio, Nashville Trax which is the physical studio we use for our Play It Again Demos service, we usually discount for multiple songs as well as for doubles, passing on player discounts to our customers. For example, both our fiddle players play mandolin at session quality and for a same song second pass on mando they already know the tune so they’ll charge less for that pass.

Singer’s fees are all over the map. Decent singers start around $80 per song for a lead vocal with 1 track of self-harmony. But some charge as high as $250 or even $350 per song, and get it, because they’re that good, that in demand. Typically the singers charging over $175 per song do a lot of major label work. and maybe you do need a vocalist of that caliber. But we can almost always get an excellent singer, perfect for your song, in the $100 to $175 range.

Let’s put together a quote for a basic 4 piece band demo:

A typical 1 song band demo requires about one day or a little more of studio time for the pre-production charting, rhythm tracking, overdubs, vocals and mixing. So at least $560 there. That does usually include the engineer.

It may or may not include the producer’s fee. Here at Play It Again Demos, or Nashville Trax, it does.

2 musicians at $75 each and 2 at $125 = $400

Add the singer we need to put the song across properly, let’s assume a $125 per song rate. Our philosophy: the singer IS the song, pay what you must to get the right one. That isn’t necessarily the most expensive one.

TOTAL: $1,085.
TOTAL with optional mastering for that “radio ready polished” sound: $1,200
TOTAL to add two more instruments and include mastering: $1,400

Note that each song is different. Some are lengthy, some short, some need a more expensive singer to put it across properly, The actual cost is going to vary and could be as low as $795 or so, but those are pretty reasonable ballpark figures.

Typically the majority of the full band demos we produce here, using session quality singers and players, land between about $875 up to $1,200.

Also note that stacked or extensive background vocals, or certain high profile musicians, often cost more. Horn sections cost more. a more elaborate mix. A 6 piece band instead of four…these elements can push a demo up quite a bit. A $1,200 to $1,500 total cost for a one song demo is pretty common for that sort of layered, extensive track work. Adding an extra musician adds their fee, extra record time and extra mix time.

If you think something simpler, such as a piano/vocal demo will get your song across, you can cut back to about 2.5 to 4 hours of pre-production and studio time depending on complexity. A piano/vocal usually lands at about $250 to $350.

So now instead of asking, “How much does it cost to record a demo?” you can figure out what instrumentation is required, do the math and know approximately what a demo should cost.

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ADVERTISEMENT:Or hit us up for a quote! E-mail your mp3 rough and a lyric sheet to:

nashtrax@bellsouth.net Att: Bill Watson

* By definition, a demo is intended to demonstrate the song with the intention of playing it for friends. family, industry professionals etc. it’s not usually intended to be sold publicly so the rates charged by services and musicians for demos reflect that. There are also other levels of recordings usually demos that later get the mastering process called “limited release” that give you a license to sell a certain number of CDs or downloads (for example a limited release project permits sales of 10,000 downloads or 2,500 CDs).

**An upgrade of your demo to limited release will add $100 to $200 to the costs detailed above.


Michael Jackson’s Rhianna Demo Finished!

Tim Zimmermann

Tim Zimmermann

The Michael Jackson (not THAT Michael Jackson!) penned, Rhianna, we were hired to produce a demo on is finished!

Here’s a brief clip of the “before” version we were furnished with:

Here’s the Play It Again “after” sung by our pop vocal and background vocal specialist, Tim Zimmermann (pictured above):

Click here for more information about this project.

Rhianna is © Michael Jackson 2013, posted by permission. All rights Reserved. Unauthorized use is a violation of U.S. and International copyright law.

If you’re interested in recording Rhianna or using it in any commercial application please let us know and we’ll forward your “request for a mechanical license.”

Pro demos make everyone- friends, family, artists, record company A & R and music publishers- take notice. Have 3 or 4 pro demos to peddle and they’ll brand you as a pro-level songwriter every time you pitch them.

We would be thrilled to do that for you!

If you would like a quote on making a professional version of your song simply drop an e-mail with your rough mp3 or mp4 attached to: nashtrax@bellsouth.net detailing what you want.

Write in another style? There are more samples of work to your right in Categories > Samples of Our Work.


Now Tracking : Fractured Fairytale

Gone will be a fun song to mix!

Gone will be a fun song to mix!

This is songwriter Michael Jackson’s third song I’m producing for him (this Michael J is no relation to the M.J. of “Billie Jean” fame).

It’s a swampy Delta blues type tune that I’m thinking will need a rough, edgy vocal, a lot of acoustic instrumentation like harmonica, acoustic guitar and a full drum kit. The first order of business will be to ask our studio session drummers the best approach rhythmically.

I love the tune, can’t wait to hear it come together!-b.e.

Update: It’s finished. Click here to listen!

This Waves Mastering Plugin across the stereo mix will help give it that glossy big studio sound!

This Izotope Compression Plug in across the stereo mix will help give it that glossy big studio sound!


Long Day But Great Vocal Tracks!

We cut some GREAT Vocal Tracks!

We cut some fantastic Vocal Tracks!

Wow, in the studio before 7 am yesterday and still there at 8:00 p.m. yet it felt like only about four hours went by. We got some guitar overdubs done on 4 tunes early, then Brittany Baptiste, a session singer, came in at noon and did a tremendous job on a pop song. Her tone quality is truly exceptional. And the girl has good nature and patience to spare, she didn’t mind taking the extra time to get it right.

Then about 4 pm Tim Zimmermann, a background vocal specialist, flat out nailed a bgv heavy song titled “Forever and Me.” We’re cutting 6 versions of this song for targeting various segments of the Contemporary Christian and Southern Gospel markets.

Tim cut 3 leads and about 15 bgv tracks to cover 3 of the versions. His vocal licks were just off the hook, easily equal to and even exceeding the best bgvs I’ve ever heard and I’ve worked with several of Nashville’s best bgv singers.

Watch out folks, there’s a new boy in town!

The coolest thing is, unlike some musicians I’ve worked with in Nashville who were all about getting done as fast as possible and out the door, probably to ensure they got their 2 o’clock nap in, there wasn’t a hint of clock watching by anyone all day. It was all about making the music as great as possible; obviously I’m all about that.

Long day, but great tracks made it fun and worth it. We barely noticed time passing and, if anything, it was over too soon!- b.e.


Music Publishers Looking for Songs : Free Songwriting Tip Sheets

 Is Songwriter's Market long in the tooth?

Is Songwriter’s Market long in the tooth?

Once you’ve had a pro demo made by a demo service that meets industry standards it’s time to find a home for your song, also known as song marketing.

(Click here to hear a demo that meets or surpasses industry standards. Compare. Do your demos sound this professional? If you want to do more than spin your wheels, they need to.)

Where can you find pitch opportunities, especially publishers who are looking for songs?

Start with free songwriting tipsheets available through SRN and PIAD:

PIAD Not genre or area specific but predominately it lists Country, Contemporary Christian and Pop album recording sessions on tap in Nashville. Basically a “who’s looking for songs right now?” blog with tips. You’ll need to follow the blog to find out the latest artists are in need of songs with a little of your own required followup research. Tips are accurate and current when posted.

SRN Quite a few “producer’s looking” type listings. Beware though, anyone can post so quality is suspect and song sharks likely swim the SRN waters.

The book Songwriter’s Market isn’t as useful as it once was and needs updating badly but it does contain a few valid pitch opportunities and it’s not super expensive: Amazon.com 2014 Songwriter’s Market

I just read the review, ouch! But it echoes what songwriter’s have been saying as far back as the 2011 edition!

Paid Subscription Songwriter Tip Sheets
tend to have valid tips but also have a long history of slacking off and repeating old tips as the publication ages. They are usually pretty expensive.

Songlink There are various subscription levels starting at $385 per year. This is a well respected sheet but it tends to list more independent artists throughout the world, not many of the coveted major label artists.

Tune Data $750 per year. Tune Data’s tips started great but have declined in quality and quantity. Caution: It’s unclear if their business model is even sustainable much longer.

Taxi The Taxi song pitch service has an interesting business model. Songwriter’s pay over $300 per year ($299 + $5 per pitch) for the opportunity to pitch songs directly to Taxi. The listings being pitched to are disguised so the songwriter has no way of knowing exactly who they’re pitching to other than “Producer huge in TV and film seeking hard rock song for movie scene involving…”

With no accountability it’s hard to say just how legit Taxi is.

If your song is good and your demo sounds great (meets or surpasses industry standards) it’s not that difficult to get a song signed. My firm recommendation is to sign with a music publisher if possible. If you sign your song directly with the producer of a big name act they’ll want a cut of the royalties and the artist will want a cut. That’s why you’ll sometimes see many names listed after “written by” in credits. The song was likely written or co-written by one to three people with an additional person or two who added nothing to the songwriting process except their name.

Refuse to give up a cut of the $ and they’ll go to the next best song. Pitch to producers certainly, but when they show interest and it’s time to sign you’ll have the leverage to quickly pull in a music publisher and will get a better deal.

If the song isn’t a hit and it’s contracted with a specific artist’s camp, it’s then permanently tied up with a producer who spends his days producing artists, not pitching songs. A music publisher will keep pitching it and has leverage to keep hands out of the pie that don’t belong there.

In any case my firm opinion is if you aren’t pitching demos that meet industry standards it’s just not likely paying big money for a tip sheet will benefit you. Be honest with yourself and get three or four quality demos made before wasting money that should have been spent on bringing your work up to pro level. Once you do have pro level demos get some songs contracted through free or nearly free avenues then let your music publishers pay for these expensive sheets while you focus on writing songs – b.e.

Bill Watson of Nashville Trax

Bill Watson of Nashville Trax


Now Tracking : Gone

A second song in queue at  Play It Again Demos is by Michael Jackson, titled “Gone.” It’s a wonderful song with some interesting chord and lyric twists.

This would be a song I could hear Jamie Grace doing. I’m excited and looking forward to experiencing what I hear in my head coming to life.

The charts are finished and we’re tracking tomorrow, it should be mixed the first week of December!- b.e.

Update 12-1-13: The rhythm and overdub tracks are cut for Gone, the singer delivered some truly exceptional vocal tracks, now it’s on to mixing which is scheduled for Wednesday afternoon/Thursday!

Update 12-5-13: You can listen to the finished mix version here!


Tracking Session Alert!

You Can Be On The Next Nashville Trax Session!

You Can Be On The Next Nashville Trax Session!

Rhythm tracking sessions have been scheduled for Wednesday December 11th and Monday December 23rd. If you’d like to get a song on either session, please send your MP3 rough to nashtrax@bellsouth.net or your CD to the address on the website.

There’s a three song minimum on these sessions if you wish to be present and watch your song being recorded. No minimum if you just want to get a song on the session.

Note that it’s far too late in the year to record songs about Christmas for 2013 unless it’s for a personal project. If you intend to pitch a Christmas song for one of the numerous Christmas projects released each year by movie companies and major label or even independent artists, record now, but aim for Christmas of 2014.


Tracking Now : Rhianna

 Nashville Music Producer, Bill Watson

An interesting tune came in this afternoon and since I’m charting a few songs now as I write this, I’ve added it to the upcoming session.

It’s for songwriter Michael Jackson but I’m relatively sure he’s not the same guy who wrote Billie Jean and was a member of the Jackson 5. But then again they say Elvis is still alive and singing somewhere…who really knows? Michael, if you send a pic and you’re wearing a single white glove it’ll freak me out a little, that’s for sure.

Anyway I find it very cool and intriguing that this is one of those rare finds that could be translated in several radically disparate styles, and even more so that Michael has given me permission to go any direction I wish, even though I mentioned Little Feat, Train’s Hey, Soul Sister and Johnny Cash as possibilities. Wow!

Update: The song is charted and we’re ready to begin tracking on it this coming Tuesday. There’s no doubt it’s going to be a dramatic transformation from rough to polished demo. I’m excited!


Singers: Get Signed! How To Perform Your Way to a Major Label Deal

Singers, once you’ve cut your demo or CD at Nashville Trax and you’re preparing to perform at a showcase for label A & R, do focus on being a brand they’ll see as marketable. A previous post detailed the importance of taking control of the stage with real intent so you won’t lay an egg; : Sister Sparrow and the Dirty Birds

But I do think choreographed dancing can play a big role too. Permit me to demonstrate. Some things you just have to do yourself:

I have a pen, where did those A&R people go?

Happy Holidays everyone!

Many thanks to my assistant and friend, Cynthia, as well as several family members who worked so hard (lol) to help make this video possible.


Song Mastering Service

iZotope Ozone 5 Advanced Mastering Plug-In System

iZotope Ozone 5 Advanced Mastering Plug-In System At Work In Our Studio

We offer crazy low rates on mastering. For a limited time it’s only $75 per song with no minimum number of songs. 3 songs or more? Only $55 per song! Look through your old CDs and files and see if there’s anything you’d like to have done! Have you ever seen a price on mastering under $100 per song? This is full blown mastering well under $100 per song provided the song is under 6 minutes long!

Give us your.wav or MP3 file. We’ll return a .wav or mp3 stereo master file (your choice).

For those who aren’t sure what mastering is it involves taking the mixed track, reloading it into mixing software and adding EQ, effects, compression and more to the entire stereo mix. The end result is cleaner and punchier. The vocals have more clarity and width. There will be more depth to the mix. Basically, after mastering it meets radio airplay standards and it just sounds better!

This will be a fabulous opportunity for you to hear your old (or latest) songs mastered by a fresh set of ears,

If you’re interested in mastering visit the Nashville Trax Mastering Page, or send an e-mail to nashtrax@bellsouth.net with Mastering Deal in the heading. You can ask questions or attach your song file(s) then pay via Pay Pal. .wav mixes sgould be sent via Dropbox.com or WeTransfer.com