Breaking News: David Northrup Takes Oak Ridge Boys’ Gig

David Northrup at Red Rocks

Our studio session player is ready to cut your drum track!

One of our two studio drummers, David Northrup has accepted a position to drum for The Oaks. David’s credits are extensive. His last steady artist gig was with Travis Tritt. Much luck David!

Unfortunately that means Chris Golden, son of William Golden, has been let go. We were told that William Golden was not part of that decision, but was gracious when informed.

David Northrup will remain available to record on your songs when he’s in town.

Hear David play.


Clients Report Success with YouTube, iTunes, Kickstarter and Other I-venues.

Bill Watson, music producer Nashville Trax, Play It Again Demos

Bill Watson, music producer @ Nashville Trax

Wow, what a time in history to be a songwriter, it’s amazing!

Google Play, You Tube, iTunes, Amazon Advantage, Kickstarter, websites, e-mail marketing through Constant Contact…Songwriters don’t need record labels anymore to recoup an investment in demos and promo!

Clients are reporting great success with Play It Again Demos and Nashville Trax productions!

Gary Nowak’s YouTube video “Gasoline” (a song produced at Play It Again Demos which Gary posts under the name “Jess Mei”) is closing in on a half million views. You Tube pays for views of original song material as well as cuts the owner in on ad revenue.

Help Gary get the ball rolling on our latest work for him, the song A Miracle At Work which he built his new video around, just posted under his “Jess Mei” moniker.

And yet another client, Nicholas Gianetti reports getting a Nashville Trax single funded for $40,000 for a video, CD and promo through Kickstarter.

When I received an e-mail from Jim Bussey saying that he’d earned over $300,000 on his song “I can See It In Your Eyes” from various Internet sources to date, it struck me that he invested $1.200 in the recording and profited by over $298,000! Yet there’s likely some guy out in Ames, Iowa somewhere who had an equally good song but chose a different company over Nashville Trax, and received the typical competent, but bland, recording.

And the song went nowhere.

He’s probably walking around the streets of Ames thinking, “Man, good thing I saved that extra $250 bucks that Play It Again company wanted!”

When I started into the business everything was done by mail. There were no MP3s to shoot around on the Internet in seconds. No YouTube videos to instantly publish your song to the world.

Looking back, it was ridiculous what songwriters went through to get a song contracted with a major label or major music publisher. But that was the only game on the planet. Impress the gatekeepers or else.

Or else your songs stayed in a drawer or you played a home made demo for family and friends only.

People did “indie projects” but good luck getting anywhere, advertising in print medium was too costly to sustain. And getting the free publicity necessary via radio airplay? It happened, but very rarely. Now free and nearly free marketing opportunities abound.

The gatekeepers are still there generating 1.000 rejection letters and e-mails for every, “please let us contract this song” phone call.

They are still a valid path to try in pursuit of a major label Billboard hit but songwriters don’t need them anymore to be heard! There was an article in the last Nashville Scene noting that some songwriters are making more on YouTube than they would with a Billboard hit through a major label deal.

Google Play, You Tube, iTunes, Amazon Advantage, Kickstarter, websites, e-mail marketing…Songwriters simply don’t need the big company investment anymore to recoup an investment in demos and promo!

Songwriters don’t need them to make income from songs!

Frankly, if the gatekeepers ever disappear entirely, I won’t miss them much. How about you?– b.e. watson


Natalie Stovall and The Drive Chosen to Perform At 2014 Country Breakout Award

Songwriters, here’s a group to keep an eye on: Their debut album is being produced now (by Paul Worley who previously produced records for the Dixie Chicks and The Band Perry) with a scheduled release in 2014.

Music Row has chosen Natalie Stovall and The Drive to perform at The Country Breakout Awards on Febuary 18th at Margaritaville on Broadway as their single “Baby Come On With It” already moves up the charts:


Ludwig Signet Gigabeat Drum Kit Demo Review

Ludwig has re-invented the wheel. Okay, not literally. But it’s been a while since a totally new concept in drum kits has been offered. And this is literally a drum kit. Presumably to keep the price point low, you put it together. The only tool needed? A drum key.

A quality maple drum kit at a low price.

David Watson, a drummer for one of the Pittsburgh, PA area’s top show bands checked it out and had this to say:

“Definitely maple. Big beautiful open tone. The shells are finished to a very high standard of production quality. The veneer finish looks dramatically better in person than in pics, like a fine car. I want one. I’m really impressed with what Ludwig has done here.”- David Watson


Free Music Publishing!

Sony Music Publishing, Nashville

Sony Music Publishing, Nashville

If you’ve had a limited release recording produced by Play It Again Demos or a master recording made at Nashville Trax you can now get it licensed with a music publisher, guaranteed!

You no longer need to worm your way in to Sony then wait for A&R to decide if they’ll take your song or reject it.

John Goodman of Dickie Goodman Publishing is offering free music publishing to any songwriter who has written an original song that isn’t yet tied up with a publisher! Dickie Goodman is Guinness certified as having the most Billboard charting novelty records ever. They have all the mechanisms in place to fully exploit your copyright.

Legal Restrictions: Note that a demo recording is not licensed for this type of use. You’d need to pay for an upgrade to limited release master and once you achieve 10,000 download or CD sales, an additional upgrade fee to full master recording is required.

Click here to go to Dickie’s sign up page and learn more.

The article released this morning:
John Goodman offers free music publishing!

for more info: e-mail:
Jongoodman@dickiegoodman.com

Jump on it, the offer may not last!


Casting Now : Reality Show For Aspiring Male Country Artists Age 14 to 20

Hit The Country Music Jackpot!

Hit The Country Music Jackpot!

Jan Smith, vocal coach for The Band Perry’s Kimberly Perry, Usher, and Justin Bieber is part of a new reality TV show focused on discovering the next generation of country music talent.

If interested, upload your video to YouTube then e-mail the link to castingcall.bei@gmail.com

Please include your city of residence, age and all contact information.

https://twitter.com/gromsparadise/status/378240362109616128

https://twitter.com/FlyingTortilla/status/377973193249546240


The Freemans : Voice In The Desert CD

Freemans Voice In The Desert CD

Freemans Voice In The Desert CD

The Freemans are just one of the big name Southern Gospel groups that call Hendersonville, TN home base, H-ville is about a 15 minute drive north of Nashville. The Oak Ridge Boys, The Isaacs and others do the same, as well as several top nationally known bluegrass groups. I’m not sure why there’s such a concentration in such a small area, obviously the proximity to Nashville plays a part but there are probably historical and family connections as well.

I met Darryl Freeman and his son, Caylon, the drummer in the band, for the first time about 8 weeks ago. They gave me a free copy of their newly released Voice In The Desert CD which I’ve since listened to several times and found to be super.

Reading the liner notes I noticed they didn’t write their own music on the CD so that might be a pitch opportunity for you if you have something that’s dead on target for their next project. I highly recommend you purchase their VITD album and listen thoroughly beforehand, just because you wrote a song that mentions Jesus it doesn’t mean it will fit their style- b.e.


Study Claims Increased Ability To Hear Pitch In Adults On Valproate

Fiddle Tracks Online Fast and Priced Right!

Fiddle Tracks Online: Click through and listen to musicians play with perfect pitch!

Adults can learn to play an instrument, but many previous studies have demonstrated that certain synapses in the brain close by age twelve and eliminate the possibility of developing into a world class musician.

It is also been an accepted fact that while the ability to hear relative pitch may be improved with practice in some adults, if the ability to hear absolute pitch hasn’t been acquired by age three or four up to, at the latest, age nine, it’s no longer possible. Here’s just one of many examples of why this matters: a fiddle doesn’t have frets so a player with the ability to hear absolute pitch has a huge advantage.

Now comes research, The Valproate Study On Pitch claiming taking Valproate can permit an adult to greatly improve their ability to recognize absolute pitch:

So is this a great breakthrough or will we soon hear the usual: “Want perfect pitch? Take Valproate, but by the way “side effects include hair loss, incontinance, increased risk of cancer, five weeks after starting treatment you may grow an extra head…..”


Upgrading Pro Tools HD 7, HD 8, HD, 9, 10 or HD 11 : Gear Glut Alert!

Aural Exciter Software for Pro Tools HD

Aural Exciter Software for Pro Tools HD running on Snow Leopard

So a rather large monkey wrench has been tossed into the Nashville music machine recording engine! Avid has released Pro Tools HD 11 and it doesn’t play well at all with much of the the gear required to support earlier HD versions. Used Accel PCI and PCIe cards, digital converters and more are being dumped on the market as studio owners realize their gear is dated, and if they intend to move to 11, nearly worthless. Control 24 mixer control surfaces that cost about $8,000 new a couple years ago are not supported in PT 11 and are being offered as low as $2,250 on eBay, with few takers. I suspect it will be tough to get $600 for one in a year or two.

Almost all professional grade studios and most project studios in the Nashville area use Pro Tools HD (Or HD2 or HD3) software. Home studios and others may run Cubase, Logic or regular Pro Tools but Pro Tools HD is king in dedicated pro studios. On my last project I worked in three different studios around the area. Because my home base, Nashville Trax runs Pro Tools HD2 and the others run HD too, it was easy to interface with the other two studios by transporting the music files on portable hard drives. No individual file consolidation necessary, just click on the PT session file icon and the song session opens, ready to go, sweet!

HD is far more expensive than regular PT because it’s more robust and has more features. The initial software cost alone is $6,000 to $11,000 more than the $300 to $600 regular Pro Tools costs. Plus you need expensive hardware too, each piece costing in the multiple thousands. Now most studios that move to 11 will upgrade from an earlier PT HD version so the pain of acquisition will be greatly mitigated, but it still isn’t cheap. For example, going from 7 to 11 is a $2,500 jump.

The big problem, and I heard this from several fellow studio owners, then confirmed it on Avid’s website, is that PT HD 11 supports no plug-ins (for quality reverb, EQ, compression, etc.) from earlier versions. If you’ve invested in $50K of extra plugs and you’re running HD10 you either stay with 10 or try to sell the plugs while you can, usually for pennies on the dollar. But a lot of engineers swear by their favorite plugs and won’t give them up without a fight. Many plugs don’t even have comparable 64 bit AAX versions that will work in 11 yet.

“I can’t afford to move up; I have way too much invested in plug-ins.” one owner confided.

“Avid has ticked off a lot of people in this town with 11 and lost some customers,” said a session musician.

I suspect there will be much kicking, screaming and gnashing of teeth, but most studios will eventually cross the bridge to 11. Nashville is a world class recording environment and PT HD is still the best thing on the planet.

So a lot of studios that ran early PT versions for years are taking advantage of the used gear glut and upgrading to a higher level of HD or moving from PT to PT HD. But that can be a nightmare because the operating system on the studio’s Mac (Pro Tools HD runs better on a Mac so few serious studios use PCs/Windows) must match up with the version you’re upgrading to.

To help fellow up graders out I thought I’d post some useful info:

To upgrade to HD7 you’ll need to run the Mac Tiger operating system 10.4.2 through 10.4.8. The old G5s often had it as well as Mac Pros. Beware of purchasing one of the short-run Intel Mac Pros from around 2006 unless you get the original disc or unless the Tiger version your upgrade requires is already on it. The Tiger OS X disks for the Intel machines were machine-specific. Otherwise, there are lots of retail Tiger versions for Power Macs and G5’s.

There’s little difference between PT HD 8 or HD 9 and 8HD licenses are dirt cheap. But if you can afford to jump to 10, do so, a lot of pro studios will be hanging at 10 for at least another year or two, some for good.

Also, check out the limit your computer will upgrade to! If you’re trying to jump from Tiger 10.4 to Mt. Lion 10.8 it’s not likely to happen.

HD 8 requires Mac OS X Leopard 10.8.0 to 10.5.8

HD 9 is Snow Leopard 10.6.2 to 10.6.8

HD 10 is 10.6.7 Snow Leopard to 10.7.4 Lion

HD 11 requires Mountain Lion.

Be careful, I’m talking about software. If you purchase any of those cats you should NOT hear a GRRRRRRRRRRRRR!!!!!!!!!! If so, forget exchanging it, run for your life : ) b.e. watson

Do you produce music at home or in a commercial studio? Did you realize how inexpensive and EASY it is to get a Nashville session quality player on your projects? Yes, make your project better or even make a profit! Tell your country music clients you have Nashville quality pedal steel guitar and fiddle tracks available and they’ll sell themselves! Add a markup and voila, easy money in your pocket! Or how about saxophone? Harmonica? piano? Bass guitar? Acoustic? Electric? Mandolin? Vocals? You name it, we can probably do it?


Nashville Skyline

The Music City Songwriting Competition is accepting entries in just about any genre or category imaginable. No instrumentals though.

Entry fee is $30. A pro demo isn’t necessary to enter but considering many entrants will be from cogs in the the Nashville songwriting machine who always do great demos; it’s questionable if you’ll win without one, we believe it’s a very good idea.

Click through the link for more information.


Sony Music Hires New A & R Director

Sony Music Publishing, Nashville

Sony Music Publishing, Nashville

A new A&R Director has been hired for Sony Music Nashville. Taylor Lindsey. Her duties will also include A&R for the Nashville branches of Columbia, Arista and RCA.


BMG Chrysalis signs Wynn Varble

acoustic-guitar-photoOn September 26th, 2013, Wynn Varble signed with BMG Chrysalis Nashville as an addition to their songwriter roster.