“My first royalty check for the Miles & Miles release in the US… This is for one Quarter.. Miles & Miles was played over 1000 times per week in the US… it did really good.. Thanks for the great work Bill!” – Dan Thompson
Your song is finished, now what? You aren’t capable of producing a professional quality recording on your own so you need a demo produced.
Or do you need a master? But if a master, how do you get it on the radio?
They seem to have the same basic steps, what’s the difference between a master and a demo anyway?
You’re confused. Let’s clear that up!
As this time the cost to have a four to six piece band with a session singer demo produced at Nashville Trax is $750 to $1,400.
Each song production is unique but, in general, the higher price point may include background vocals, more instruments, better musicians and more time spent on the mix. A demo mix requires between 45 minutes to about 3 hours of mix time.
You’d do a demo if initial cost is a huge issue and the song will be used mainly to pitch to music publishers and other A & R industry professionals.
Some of our clients have assembled demos into an album and burned it on a CD but in most cases they aren’t true airplay quality. If you want radio airplay you really need to let us know that upfront, bite the bullet, and invest the additional money to ensure we deliver that.
Some of our clients have successfully attracted investors with a demo. For example, client Chad Barnes of Phoenix Arizona was able to interest an investor in putting $5,000 into his song “Cowboys” based on the initial sketch recording Bill Watson made of the tune. As the full blown production progressed he was able to interest an investor to put up an additional $100,000, presumably for promotion and distribution.
A master suitable for radio airplay typically lands at about $2,500 but could be much lower or higher depending on the same factors detailed above for demos.
While a demo might have one of our A Team musicians on it, a master has only our A Team musicians. Your master may also have a more intricate arrangement; doubling and stacking of tracks (the musician physically playing a part multiple times to thicken the part) as well as a more detailed mix requiring up to 10 hours of mix time.
You’d do a master if you are making an album for release and intend to get radio airplay.
Nashville Trax is a music production facility, we do not go beyond that role; however, we have witnessed the previous successes of our clients over the years and once your demo or master is produced we have a network of companies who can handle your next step effectively.
That list includes music publishing companies; song pluggers; music promotion companies, concert promoters; distributors who can obtain major label distribution for your album or single; and yes, we can connect you with the same radio promotion team that obtained radio airplay for our client Dan Thompson.
Read more about Dan Thomson’s album and single releases this article opened with:
Seeking a mastering studio in Nashville? Nashville Trax is now offering it’s stellar mastering services to all comers, regardless of where your project was recorded or mixed.
For more information or order, visit Nashville Trax
Welcome to Nashville Trax! Yes, we are located in the Nashville, Tennessee area and we are the home base of the incredible Nashville Trax A Team detailed below.
Scroll down this samples page and you’ll find numerous samples of work we did for many different clients.
We produce Country, Contemporary Christian, Bluegrass, Folktronica, Southern Gospel, Americana, Rock, Blues, Hip Hop and Pop music!
Whether you need a demo of your song, a master, a performance track, a session quality instrument track added to a project you are producing, mastering of your mix, or even an entire album produced, the Nashville Trax A team, featuring our best players, is available at a price lower than you might think.
Read what one of our current clients e-mailed to Nashville Trax’ music producer (B. E. Watson):
“These tracks are smokin’ hot, Bill!!! This album is going to ROCK country style!!! Thanks man!!!! Wow!!!!!!” -Joe Finley, front man for The Swansons, regarding the tracks posted below.
And from client Mike Martin of the Sacramento, California area:
“Hi Bill, I have been playing my CD with the four songs you recorded for me and everyone is amazed at the quality of recording as well as the musicianship. You make records and even demos that are radio ready in my opinion and I just wanted to say thank you for all your work.”
The Swanson’s album, Country This, produced by Bill Watson right here at Nashville Trax won The Producer’s Choice Awards “Best Country Album” in April of 2018. The Swansons are cutting their second album here, which will be available for sale in early 2019, then starting album # 3 here.
Here’s our A team- we call them The Hitmakers- on a music-only track intended for the Swansons’ album:
Something’s Better © 2017 Joe Finley, published by Listen Again Music (BMI):
Drums: Jim Riley (Rascal Flatts)
Bass Guitar: Bill Watson (Nashville Trax producer)
Acoustic and Electric Guitars: 10 times Music Row Guitar Player of the Year, Brent Mason
Harmonica: Mike Douchette (Tammy Wynette, George Jones, ZZ Top)
Mandolin: Jenee Fleenor(NBC’s The Voice fiddlist/Blake Shelton’s fiddlist.
Banjo: Aaron McDaris (with the #1 award winning bluegrass artist Rhonda Vincent)
Engineered, Arranged, Produced and Mixed by Bill Watson
The Swansons, who perform live shows and do have their own band, have also started playing selected live shows here in Nashville and other locations with The Nashville Trax A Team, such as the 2018 Producer’s Choice Awards show in Las Vegas with The Swansons, Brent Mason on guitar, Jenee Fleenor on fiddle, Bill Watson on bass guitar and Jim Riley on drums.
Would you like a quote on your project using these musicians?
email@example.com Att: B.E. Watson, A Team quote.
Here’s the first single, releasing to radio in 2018: “Valentine” with Joe and Angie singing lead; Bill “B.E.” Watson on bass guitar; Jenee Fleenor fiddle; Brent Mason, guitars, Jim Riley, drums; Steve King, keys, Jamie and Jim Riley, background vocals:
The Nashville Trax A Team is comprised of session veterans such as Jenee Fleenor, who plays fiddle and mandolin for major label country artist, Blake Shelton.
She was also the fiddle player on John Pardi’s 2016 Billboard #1 country hit “Head Over Boots” as well as the fiddle player on the #1 followup song by Jon Pardi that was certified gold for sales and streaming of 500,000 copies “”Dirt On My Boots” which features Jenee’s playing throughout.
She is the 2016 CMA Touring Musician of the Year as well as the fiddle player for the popular television show, The Voice.
In fact, Jenee turned down Aerosmith’s Steven Tyler’s offer to tour with him (to support his country album) but she is doing selected Steven Tyler dates…and guess what? Hire us and she’ll definitely play on your project!
And here’s a quick rough mix of a three piece rockabilly jam with Brent Mason on guitar, Jim Riley drums and Bill Watson on bass guitar. More instrument parts have since been added; be sure to pick up a copy of The Swanson’s album (produced by Nashville Trax, intended for release November/December 2017) to hear the full mix:
Same song, same rhythm, track, but with Jenee, Mike, Joe and Angie Finley and other members of the A team on board, and EQ and effects applied to the tracks:
Here is our A Team playing that same song with The Swansons on their Nashville live debut/CD release party, 9-22-17:
The foundation rhythm section players: Jim Riley, Drums; Bill “B.E.” Watson, Bass Guitar; Brent Mason, Rhythm & Lead Guitars:
Some of the other A team tracking and overdub players we use:
“One of the best memories of my entire life!! Thanks to you and your crew of ‘Hitmakers’ Bill Watson!! Thanks again!” – Songwriter Joe Finley of The Swansons.
Would you like a quote on your project?
firstname.lastname@example.org Att: B.E. Watson, A Team quote.
Something’s Better, Valentine and I Need Your Love are all © 2017 Joe Finley, published by Listen Again Music (BMI). Posted for demonstration of production values only. Any other use is a violation of U.S. and International copyright law.
The Nashville based Christian group, Dads and Daughters, has added Nashville Trax and Play It Again Demos to their growing list of sponsors.
Nashville Trax is providing free studio time and free space for the band’s web page:
Play It Again Demos is providing free management for the group.
Look for their first single to be released in September of 2017.
While they do receive free studio time to record this Dads and Daughters original song, they are donating 100% of all profits from the single to Christian charity. Yet they must pay for the studio musician fees and CD manufacturing costs. Therefore donations at their website noted above are welcome.
Do you need video production for your song?
Video can be extremely effective at building a fan base, creating revenue streams and whetting the appetite of your fan base for upcoming products. As this video does:
We live in a video world! The best way to promote your band, your song or you as an artist, is on video!
But if you lack the time or skill set to produce your own, contact Our Video Team
For a very affordable price they can create the video you need to succeed and even post it on social media for you.
Here’s the video of the actual song Dads and Daughters Know
Interested? Get details at the link above or text indicating your interest in having a video produced, call 615-319-8616.
Dan Thompson Single “A Day Without Progress” Produced by Nashville Trax, Distributed By Sony… 28 Weeks on Sirius XM. Give A Listen!Posted: April 9, 2017
Dan Thompson’s followup single, A Day Without Progress” has released to radio and is enjoying lots of radio play… April 3rd, 2017 marking 28 straight weeks on Sirius.
In fact, the Nashville Trax produced Dan Thompson album is finished and Dan signed an agreement that even prior to completion, saw the first single Miles And Miles” released and distributed to 242 territories through Sony.
Miles was actually released midstream, about three months ago, before the full album was finished and even prior to the deal with Sony being finalized. It’s absolutely blew up on radio, receiving over 2,000 spins per week on hundreds of stations in Australia and the U.K. (including on the BBC).
Now “Miles and Miles” is starting to gain traction on radio in Dan’s home country of Canada:
CJFN in Peguis, MB – ADD – “Danny Thompson Band has been added to rotation.”
CFBW in Hanover, ON – ADD – “Danny Thompson Band is now in our system.”
“Miles and Miles is being played on a country radio station in Owen sound. One of my drivers heard it twice Saturday while working on his truck!!!!”
CHMM in Mackenzie, BC – ADD – “Danny’s song is now in full rotation.”
Glad to see our hard work and Dan’s investment in doing quality work is paying off!
And here’s the followup single:
Why? Because Dan’s kids love the way the harmonica sounds like a duck quacking in the intro; they want to hear it over and over. Now there’s a scientifically sound method. Why bother with demographic research and test marketing when you have quacking ducks, lol!
“A Day Without Progress”
Lead Vocals: Dan Thompson
Drums: William Ellis
Bass Guitar: Bill Watson
Acoustic and Electric Guitars:
B3 Organ: Steve King
Harmonica: Mike Douchette
Background Vocals: Angela Derrington
Mixing and Mastering engineering:
Bill Watson, Shawn Conley
Written by: Dan Thompson
Arranged and produced by Bill Watson
Okay, there was more to it than a quacking duck! A Day Without Progress is uptempo, has the “bro country” rap portion near the end (bro country is super popular right now). Plus it’s a “pull ’em out of their seats” dance tune.
A Day Without Progress © 2016 by Dan Thompson, posted here for demonstration purposes only. Any other use is a violation of U.S. and international copyright law. The songwriter currently retains the right of first release until the projected release to radio April 10th, 2016 after which, requests sent to email@example.com by parties interested in recording* either song; program directors interested in airplay or by producers interested in using the songs in TV/film projects will be forwarded to the songwriter and/or publisher.
*A Compulsory Mechanical License must be filed by parties planning on recording “A Day Without Progress The current royalty rate is 9.1 cents per copy. Advance payment for 1,000 copies ($91 U.S.) must accompany the filing, payable to the music publisher.
Yes, That is just one of many instruments we have available at Nashville Trax Tracks online!
Need Accordion on YOUR project? Click Here!
Hey Bill!! I just want to say thanks so much to you and Aaron for the awesome Banjo track, it sounds great the mix, exactly what I was after.
I think this will be my third order now with Nashville Trax and I’m sure there will be many more to come in the future. You guys are fantastic!! Thanks again!! Kind regards, Louise D’Arby (Australia)
Just before his death in December, Bobby Layton’s good friend and sometimes co-writer, Mark Gray, writer of #1 hits by Alabama (Close Enough To Perfect For Me) and most of Exile’s hits, heard a demo produced @ Play It Again Demos for Bobby Layton and said,”That’s the best demo you’ve ever had done, Bobby, this producer, Bill Watson, is the guy you need to stick with.” Here’s Bobby yesterday, signing a contract on the second song produced by Play It Again Demos for him, That Ain’t Country Music, to Listen Again Music, (BMI).
The popular Los Angeles area based band, The Swansons, have been secretly working on their first country album with Nashville area music producer, Bill Watson, of Nashville Trax.
How will their original tunes sound with fiddles, banjos and steel guitar?
Pick up their album expected to be released by the fall of 2017 and find out! (rumor has it the tracks rock!!!!) or Country? er…country rock???? hmmm….anyway, meet The Swansons:
I just want to say thanks so much to you and Aaron for the awesome Banjo track, it sounds great the mix, exactly what I was after. I think this will be my third order now with Nashville Trax and I’m sure there will be many more to come in the future. You guys are fantastic!!
Louise hails from Australia. Instead of her coming to Nashville, we provide her with professionally produced banjo tracks online that drop seamlessly into her mix, usually within 1-3 days, sometimes just a few hours!
Need a banjo part? Here you go:
Need drums. bass. piano, organ, synth, sax, harmonica, mandolin, fiddle or something else? Inquire here:
Nashville Trax producer Bill Watson, apprehends two of our usual suspects: ten times Music Row guitarist of the year, Brent Mason, and fiddlist Jenee Fleenor (Blake Shelton, Terri Clark, Martina McBride, The Voice).
Both A-list players were fully armed at the time, Brent with a Les Paul featuring the ability to switch the humbucker pickups to split coil, Jenee with her trusty fiddle.
Unfortunately both slipped through his hands and are once again on the loose. If spotted please call local law enforcement.