Songwriter’s Market 2014
Posted: September 12, 2013 Filed under: Songwriting | Tags: Songwriter's Market, Songwriter's Market 2012, Songwriter's Market 2013, Songwriter's Market 2014, songwriting Leave a commentIs Songwriter’s Market 2014 showing the long tooth?
At one time Songwriter’s Market was a useful tool for pitching songs to publishers and record companies. But things have changed in the songwriting world. Times have changed.
Many songwriters complained about Songwriter’s Market 2012. According to most, it was badly in need of updating. One buyer revealed that most of her 2012 submissions came back unopened and undeliverable. Most comments on various retail sites are negative.
Songwriter’s Market 2013 had little updating from 2012 so if anything, it was even less useful.
What has changed since the early days of publication?
Songs are more in demand, not less. At one time there were three major TV networks, major motion pictures, PBS and radio. If your songs weren’t played in those places you weren’t making much money. Now there are far more outlets. Look at television alone: Hundreds of channels, most of which use music.
Internet websites, radio and Internet advertising use vast amounts of music already and use is increasing as the Internet changes from older users with large desktop systems who prefer reading words, to a younger demographic using smaller devices that prefers music and pictures. Music helps sell.
There are newer, universally accessible and arguably better ways to get exposure for an act than there were when Songwriter’s Market began publishing. YouTube, Facebook, etc. weren’t available fifteen years ago.
It’s possible the editors have become lazy in updating Songwriter’s Market listings. But regardless of the reason for the decline, it’s still a very useful book for researching music publishers and other music related companies. You can get names, e-mail addresses and more to help you start establishing contact.
But purely as a mechanism for marketing songs it has been coming up short for years now.
Does anyone care to comment on the usefulness of Songwriter’s Market 2014? -b.e.
Songwriting Tip : Adding A Suspended 4th in a progression
Posted: August 5, 2013 Filed under: Songwriting, Songwriting Tips | Tags: Adding A Suspended 4th in your song, chord, resolve, sus4, suspended Leave a commentIf you play the notes that comprise a D major chord: D, F# and A (the root, the third and fifth respectively) and raise the F# one half step to G, you have created a suspended fourth. It’s a pretty sounding chord and one you’ll surely want to use in at least a few of your songs. Note that all F#s voiced in the major chord would need to be raised to the G note.
The raised third note sounds like it wants to resolve back to the third so the easiest and most common way to employ it is by playing the suspended chord followed by the major (Dsus4 to D) or vice versa (D to Dsus4). You could do this movement once or several times.
So the formula is: root, 4th, 5th of the major scale. Example: To create an A suspended 4th use the A major scale as the basis which is A, B, C#, D, E, F#, G#, A octave. The root is A, the 4th note is D and the 5th is E so A, D, E are the notes of an Asus4.
There are other uses that will be covered in future posts.
https://twitter.com/JoshuanGonzales/status/372955420064641024


