Songwriting Tip : Adding A Suspended 4th in a progression

Bill Watson Playing Psychedelic Strat

If you play the notes that comprise a D major chord: D, F# and A (the root, the third and fifth respectively) and raise the F# one half step to G, you have created a suspended fourth. It’s a pretty sounding chord and one you’ll surely want to use in at least a few of your songs. Note that all F#s voiced in the major chord would need to be raised to the G note.

The raised third note sounds like it wants to resolve back to the third so the easiest and most common way to employ it is by playing the suspended chord followed by the major (Dsus4 to D) or vice versa (D to Dsus4). You could do this movement once or several times.

So the formula is: root, 4th, 5th of the major scale. Example: To create an A suspended 4th use the A major scale as the basis which is A, B, C#, D, E, F#, G#, A octave. The root is A, the 4th note is D and the 5th is E so A, D, E are the notes of an Asus4.

There are other uses that will be covered in future posts.

https://twitter.com/JennaMeeking/status/372754016239124480



Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s